HARPSICHORDS
Harpsichords
-
Antwerp 1637
-
Length 1.85m / Width 0.85m
-
Pitch range HH - e³
-
2 x 8' stop, buff stop
-
Transposing mechanism by a semitone
-
Lower keys with ebony overlay
-
Upper keys ebony with bone overlay
-
Papered interior
-
Pedestal
-
Antwerp 1640
-
Length 2.13m / Width 0.91m
-
Pitch range GG/AA - f³
-
2 x 8' stop, buff stop
-
Transposing mechanism by a semitone
-
Lower keys with ebony overlay
-
Upper keys ebony with bone overlay
-
Papered interior
-
Pedestal
-
Lucca 1681
-
False-inner-outer
-
Length 2.06m / Width 0.85m
-
Pitch range HH - d³
-
2 x 8' stop
-
Transposing mechanism by a semitone
-
Brass stringing
-
Lower keys with boxwood overlay
-
Ebony upper keys
-
Solid poplar case
-
Pedestal
-
Florence 1741
-
Length 2.01m / width 0.89m(at false-inside-outer 0.92m)
-
2 x 8' stop
-
Extended pitch range AA - f³
-
Transposing mechanism by a semitone
-
Brass stringing
-
Lower keys with boxwood overlay
-
Ebony upper keys
-
False inner-outer or the cypress wood casing
-
Three turned legs
-
Venice 1533
-
2 x 8' stop
-
Pitch range GG/AA – d³
-
Transposing mechanism: 415/440/465 Hz
-
Brass stringing
-
Lower keys with boxwood overlay
-
Ebony upper keys
-
Case: Cypress wood
-
Three turned legs
-
Paris 1746
-
Length 2.18m / Width 0.97m
-
Pitch range FF - f³
-
2 x 8' stop + buff stop
-
Also available with 2 x 8' + 4'
-
Transposing mechanism by a semitone
-
Lower keys with ebony overlay
-
Upper keys ebony with bone overlay
-
Pedestal
-
Antwerp 1640
-
Length 2.22m / Width 0.91m
-
With the original range of GG/C - d³ or with an extended range of GG - f³ and French keyboard
-
Lower manual 8' + 4' stop
-
Upper manual 8' stop + buff stop
-
Transposing mechanism by a semitone
-
Manual coupler
-
Lower keys with ebony overlay
-
Ebony upper keys with bone overlay
-
Papered interior
-
Pedestal
-
On request and for an additional charge, we can make the lower keys with bone covering and the upper keys from bog oak.
-
Antwerp 1755
-
Length 2.55m / Width 0.97m
-
Pitch range FF - f³
-
Lower manual 8' + 4' stop
-
Upper manual 8' stop + buff stop
-
An 8' lute stop can be installed for an additional charge
-
Transposing mechanism by a semitone
Manual coupler
Lower keys with ebony overlay
-
Ebony upper keys with bone overlay
-
Special equipment: Individual design of the housing
-
Paris 1733
-
Length 2.36m / Width 0.97m
-
Pitch range FF - f³
-
Lower manual 8' + 4' stop
-
Upper manual 8' stop + buff stop
-
Transposing mechanism by a whole tone
-
Manual coupler
-
Lower keys with ebony overlay
-
Ebony upper keys with bone overlay
-
Pedestal
-
Special equipment: Individual design of the housing
-
Paris 1767
-
Length 2.32m / Width 0.95m
-
Pitch range FF – f'''
-
Transposing mechanism
-
Lower manual 8' + 4' stop
-
Upper manual 8' stop + buff stop
-
Transposing mechanism by a semitone
-
Manual coupler
-
Lower keys with ebony overlay
-
Bone covered upper keys
-
Pedestal
-
Paris 1754
-
Length 2.28m / Width 0.95m
-
Pitch range FF - f³
-
Lower manual 8' + 4' stop
-
Upper manual 8' stop + buff stop
-
Transposing mechanism by a semitone
-
Manual coupler
-
Lower keys with ebony overlay
-
Upper keys ebony with bone overlay
-
Pedestal
-
Paris 1769
-
Length 2.32m / Width 0.97m
-
Pitch range FF - f³
-
Lower manual 8' + 4' stop
-
Upper manual 8' stop + buff stop
-
Transposing mechanism by a whole tone
-
Manual coupler
-
Lower keys with ebony overlay
-
Ebony upper keys with bone overlay
-
Pedestal
-
Special equipment: Individual design of the housing
-
Berlin around 1700
-
Length 2.35m / Width 0.93m
-
Pitch range FF/GG - e³
-
Lower manual 8' + 4' stop
-
Upper manual 8' stop + buff stop
-
Transposing mechanism by a semitone
-
Manual coupler
-
Lower keys with ebony overlay
-
Upper keys ebony with bone overlay
-
Pedestal
-
Gross-Breitenbach before 1714
-
Length 2.43m / Width 0.96m
-
Pitch range FF - f³
-
Lower manual 8' + 4' stop
-
Upper manual 8' stop + buff stop
-
Transposing mechanism by a semitone
-
Manual coupler
-
Lower keys with ebony overlay
-
Upper keys ebony with bone overlay
-
Pedestal
